This one from Olly Moss can definitely be added to the line-up, another excellent design that I'm excited to get my own copy of. Just last week, The Academy unveiled a series of 9 art prints for each of the Best Picture nominees, and all of them were fantastic. To see an individual gallery of each statuette and design one-by-one, visit this gallery. To see a full-size closeup, visit Moss' blog post. I really love this print, but I'm not surprised considering it comes from Olly Moss and they worked with Gallery1988. Whatever the case, it's definitely worth picking up a copy. It's only $25 for the first one and $35 for the second one, but I'm not exactly sure of the size they're printing them at. For more information or to order your own prints of either of these, visit. The special poster features 85 Oscar statuettes, each one distinctly inspired by past Best Picture winners, from 1927 through 2012. orange mountains wallpaper, Firewatch, forest, video games, Olly Moss HD. Share in the Academy's history with a one-of-a-kind poster designed by artist Olly Moss ( / official website / tumblr). Naughty Dog, the last of us part II, PlayStation, Ellie, Ashley Johnson. Here's the Olly Moss 85th Anniversary Oscars Poster, featuring 85 unique Oscar statues (close-up below): Straight from the Oscars is the official 85th Academy Awards (telecast) poster, with the "light Oscar" design: This is why I love that the Academy is working with Gallery1988 to create stunning art like this. But besides that, they got Olly Moss to create a special 85th Anniversary poster, featuring an iconic character statuette for each and every Best Picture winner over the last 85 years. It also includes the title of all of the nominated films this year. The actual official design, which features a new representation of the iconic statuette, shows the "light Oscar" which is based on Gjon Mili's 1949 Life magazine photographs of Pablo Picasso. The Academy (via Awards Daily), as part of the Gallery1988 artwork collaboration, has unveiled the official poster for the 85th Academy Awards this year. Moss came up with the idea of the characters holding hands, with Joel’s symbolic broken watch prominently displayed.85 Oscars. "They liked it, but didn’t really see it as a soundtrack cover - so we released it as a poster instead." At Naughty Dog’s suggestion, Moss refocused the cover back on the core relationship between Joel and Ellie, the game’s two protagonists. The cover originally featured one of the game's most notable enemies, the infected "clicker" zombie, but done in a style that tried to make the grotesque creature more beautiful. "Olly Moss and I were working on the artwork for it over a year ago, but when we submitted it to Naughty Dog, they had some issues," Shaw recalls. The process for getting the artwork right for The Last of Us illustrates how Mondo collaborates with the original owner of the work. Mondo's first foray into video game music - but not its last There’s the big gatefold to work with, and then the records themselves that can be any kind of color combination, and then you have their labels as well… there’s a lot of canvas to work with." Shaw took advantage of the canvas offered with The Last of Us - slipcovers for the four records link together to form a large, 48-inch mural of the signature infection that takes over humanity in the game. "You've got this great giant canvas to work with, but now you're not limited to screen printing - you can go nuts," he says "You can paint, you can use photos in places if you want. Shaw worked as an artist for Mondo for years before becoming one of its creative directors, and he says the vinyl format really lets an artist stretch their creative abilities. "It’s like that with everything we do: you fall in love with it, and you want to do something with it, and that’s really it." Last year’s release of the Jurassic Park score was similar: "We have people who work here, and it’s their favorite film of all time, so of course we’re going to pursue it," says Shaw. " struck a chord with everyone who played it, so we went after it pretty aggressively," Shaw says. Mondo pursues whatever media its employees fall in love withĪs Shaw tells me, there’s no secret to how Mondo finds soundtracks it wants to release - people in the company fall in love with a piece of music or a film associated with it, and then they just go after it. Oscar-winning composer Gustavo Santaolalla’s scores for both The Last of Us and its follow-up episode, Left Behind, are included in a lavish, four-record set with original artwork by Olly Moss and Mondo creative director Jay Shaw. Today, Mondo is branching out again by releasing its first-ever video game score on vinyl: Naughty Dog’s post-apocalyptic survival game The Last of Us is getting the full Mondo treatment.
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